... third hop. Three details make it worse than the total. The JavaScript bundle drives nothing at all: no component attribute anywhere in those views and no call into the library. The font stylesheet fetches three weights of a typeface that is already sitting in my own directory, self hosted, in the same format. And the icon font is a hundred and thirty kilobytes for six glyphs. The payment return page is the one I would least like to have written ...

... whole process. Comment from Perry F(@perry_f): I would say biggest thing for me is keeping the slides visually consistent while adding enough variety to keep it engaging. So perhaps a master slide that defines the main typeface, hierarchy of things and populate the rest of the slides by moving things around. Comment from Ghost Kitty(@ghost-kitty-9943808): Comment Deleted Comment from Adrian Witaszak(@adrian_witaszak): For me it's not the slides, it's the reconciling step ...

... Fontfuser is a creative typography tool that allows you to combine two fonts into one usable typeface through live previewing and experimental fusion controls. The project is still evolving, and I d love to build it alongside designers, typographers, and creative developers. Open to ideas, criticism, weird experiments, and feature suggestions. Fontfuser ...

... launch. We've analyzed more than 6000 launches and the most common among top launches are because the founders arleady had a solid PH profile with engagements. Comment from Samir Asadov(@samir_asadov): For specialist/practitioner products this 'brand vs product' framing breaks down the product IS the brand statement. A financial model template built from real deal experience signals more credibility than a thousand brand posts ever could, because the buyer (a CFA with a deal on their desk) reads ... ... failure mode is different: launch-first founders usually under-invest in brand right when traction arrives, then rebrand at the worst time. Our take from agency-side work: launch with a 'minimum viable brand' a solid wordmark, one typeface

... www.youtube.com/watch?v=i38vvqAca8M The team has a deep dive over here but here's how it looks: Personally I dig the typeface which is Quadrant from Melbourne-based type designer Vincent Chan. It was released through his foundry Matter of Sorts in 2020. I also like the warmer background tone for the app itself. Comment from Aima Atigari(@aima): Looks really good. Comment from Umar Khan(@ufkhan97): Agree the typeface

... reds, muted pastels, and so on. Stop abstracting your logo into oblivion Your logo can be figurative, evocative, or story-driven. It doesn t have to be a floating dot that symbolizes connectivity. Use typography as personality Choose a typeface that has character and goes beyond being just clear and easy to read. Build the identity from the positioning, not the aesthetics You can t look unique if you re describing yourself like everyone else. Create a story around your ...

... side ( ) glad you like pole clock! i really wish i could have it on my wrist ( ) . Comment from Gabe Perez(@gabe): @pascalpixel letting passion dictate success, love it. I'm actualy v curious to try your pok mon-inspired typeface! Do I sense another launch in the near future Comment from Gabe Perez(@gabe): Other than horse, what has been your favorite thing to work on and why? How do you balance working on your "favorite" thing vs

... Meow Product Hunt While building a product, we make many tiny little design decisions. It can be a color, a typeface, an icon, and so on (some may refer to it as design tokens and assets). As a remote-first company, we embrace the written culture what's not written doesn't exist. So, to keep the team aligned, we started documenting our design decisions and design system in Notion (here's a preview ). Do you have/maintain such documentation ...