... that. The problem is that the timeline in an editor is too complicated. Some scenes need subtitles, some layers are related to each other, and some parts need an extra image, for example. Each addition has a purpose. As tracks accumulate, the timeline starts demanding more attention: scrolling vertically, finding the right clip, checking what sits above what. I was also a content creator, so I found these processes really annoying. And when I decided to build an NLE interface ... ... Then you need to rearrange the clips stacking order and positions. That s it. That s the basic process of making any video, and it became the starting point for A/B Roll mode. The timeline keeps the core A/B-roll tracks

... Glideo from a single-take recorder into a more robust multi-clip editor, while keeping the auto-zoom that does the editing for you. What's new: - Record more into one project. Re-record a video take onto any track, or narration onto any audio track

... video, and making one used to mean hiring a motion designer, buying a stock-footage subscription, or learning a video editor. So we built a way to generate a Spotify Canvas from your audio directly: upload your track, describe a visual mood, and receive a canvas-ready 9:16 video in minutes. That's the core of Echonos. Here's what we built, why we built it, and what surprised us along the way. What Was Broken About the Canvas ... ... Workflow Spotify Canvas has been live since 2019. The engagement case for it is solid according to the Spotify for Artists Canvas documentation , tracks