Alexandra P

Alexandra P

Building Spotify Wrapped for gigs

About

I’m a Project Lead at a digital agency, building digital products and experiences every day. But outside of work, live music has always been a huge part of my life. Over the years, I realized I remember entire phases of my life through concerts and festivals, certain tours, cities, friendships and moments instantly connected to live shows. All of those memories were scattered everywhere. Ticket PDFs buried in emails, photos in cloud storage, videos lost in camera rolls and forgotten festival weekends spread across different apps. Spotify Wrapped tells us what we listened to, but there was never a real home for our live music history. So I started building GigVault: a personal memory vault for concert fans to rediscover, organize and relive their live music experiences in one place.

Badges

Tastemaker
Tastemaker
Gone streaking
Gone streaking

Maker History

  • Gigvault
    GigvaultThe concert diary with a Wrapped after every show
    Jun 2026
  • 🎉
    Joined Product HuntMay 27th, 2026

Forums

Three months in: everything Gigvault does today (and it is still free)

Three months after launch, here is what Gigvault is today, in one post, for everyone following it here.

The short version: Gigvault is a concert diary. You log the shows you actually went to, and it builds your history, your stats and your Concert Wrapped from that. Logging is free, unlimited, forever. No credit card, no ads, no data sold. Your history is never behind a paywall.

Three months in: 608 festival pages, 13 languages, and what a summer of festivals taught me

When Gigvault launched here in June it was a concert diary with one promise: log a show, and the setlist, venue and full lineup fill themselves in. Three months and one festival summer later, here is what actually changed, with numbers you can check on the site.

Festivals, stage by stage. There are now 608 festival pages with 2026 lineups, from Glastonbury and Hellfest down to small club weekenders. You open the festival, mark the acts you actually stood in front of, and each one becomes its own logged show with its own setlist. A three-day weekend takes about ten minutes to enter and counts as fifteen or twenty sets in your stats, not one line that says you were there. That was the most requested thing after launch, and it is the reason the app finally makes sense for people whose concert year is two festivals and not twenty club shows.

Openers count. Support acts are logged as separate shows and appear in your artist stats. If you saw a band three times as an opener before they headlined, Gigvault knows that. Nothing else I have tried does.

The data underneath. 7,426 artist pages, 2,173 venues and 713 city pages are live, each with upcoming shows and, for past shows, the setlists. Concert history covers 82 countries; Germany alone has 3,754 tracked shows, the US 1,823, the UK 1,751. If your city or festival is missing, the page tells you and you can add it from inside the app.

Concert photographers deserve better than 48 hours in a feed.

Concert photography is one of the most undervalued creative disciplines in the music industry.

You fight for a photo pass. You squeeze into the pit with 10 other photographers. Three songs, no flash, elbows everywhere. You spend the rest of the night editing. You post and 48 hours later, your work has disappeared into the feed.

But the problem goes deeper than that.

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