The app simulates infrared films — 720nm black-and-white after Kodak HIE, Aerochrome false color — from ordinary photos. The engine reads the scene: chlorophyll, sky, tungsten. On device, no tracking. Shot on iPhone, developed in the app.
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We love experimenting with infrared photography and film, and have been doing so for years with modified cameras. Infrared sees using different physics. Chlorophyll reflects near-infrared so hard that foliage turns white or red — the Wood effect, first photographed in 1910. The daytime sky scatters almost no NIR and goes near-black.
ARK Infrared is a procedural engine that reads material evidence out of every pixel: chlorophyll, sky, tungsten light — and re-photographs the scene.
Four film backs: — BW 720NM after Kodak HIE — AERO after Aerochrome — NIGHT — a fiction — MOON — day for night
The wavelength slider runs 590–850nm; in Aerochrome mode it walks the Wratten filter ladder from the original Kodak datasheet. Fun fact: aerochrome was engineered in wartime to expose painted camouflage.
Everything runs on device — no account, no tracking, nothing leaves the phone.
We love experimenting with infrared photography and film, and have been doing so for years with modified cameras. Infrared sees using different physics. Chlorophyll reflects near-infrared so hard that foliage turns white or red — the Wood effect, first photographed in 1910. The daytime sky scatters almost no NIR and goes near-black.
ARK Infrared is a procedural engine that reads material evidence out of every pixel: chlorophyll, sky, tungsten light — and re-photographs the scene.
Four film backs:
— BW 720NM after Kodak HIE
— AERO after Aerochrome
— NIGHT — a fiction
— MOON — day for night
The wavelength slider runs 590–850nm; in Aerochrome mode it walks the Wratten filter ladder from the original Kodak datasheet. Fun fact: aerochrome was engineered in wartime to expose painted camouflage.
Everything runs on device — no account, no tracking, nothing leaves the phone.