Hans Johannes Schulte

Hans Johannes Schulte

Founder of LensDJ Pro, Engineered in CH

About

I build tools for the Sovereign Creator. Based in Switzerland, I've spent the last year engineering the LensDNA ecosystem—specifically LensDJ Pro. My mission is to kill the 'subscription trap' and the 'walled garden' of current AI music platforms. I believe in Hard Logic over low-code shortcuts. I build instruments, not toys. LensDJ Pro is my answer to the industry’s shift toward restricted access. It’s a tool for producers who want to own their masters, export their stems, and control the mix with their voice. Always happy to talk audio engineering, agentic AI, and the future of independent production.

Badges

Tastemaker
Tastemaker
Gone streaking
Gone streaking

Maker History

  • LensDJ Pro
    LensDJ ProAgentic AI DJ. Generate stems, own your masters, zero subs.
    May 2026
  • 🎉
    Joined Product HuntFebruary 25th, 2026

Forums

Moving beyond the text-box: Why your voice is the best DJ controller.

I m a big believer in 'Agentic AI' the idea that the AI should be a co-pilot, not just a black box where you hit 'generate' and wait.

In LensDJ Pro, we use hardware-level mic access so you can command the mix live. 'Drop the bass,' 'Add a trance vocal,' 'Shift to 140 BPM.' It turns the generation process into a performance.

Question: If you were playing a live set right now and could command a 'perfect' generative engine with your voice, what genre would you want it to master first?

Can an AI app pay for itself in 24 hours? 📈

Most AI apps are $20/month subscriptions that bleed you dry. I decided to go a different route: A $199 one-time lifetime license.

My 'Hard Logic' theory is that LensDJ Pro isn't a consumer app; it's a production instrument. If you generate a high-quality stem pack and sell it for $15 on Gumroad, you only need 14 sales to break even. If you land one sync license for a SaaS promo video, the app is paid for instantly.

Question: Do you prefer the 'one-time investment' model for professional tools, or has the subscription economy won you over?

Why "Ownership" is the only feature that matters in AI Music.

"I ve been watching the AI music space explode with Suno and Udio, but there s a massive problem: The Walled Garden.

As a producer, if you can t export studio-grade stems or if you're constantly worried about a record label taking down your 'flattened' MP3, you don't actually own your creative output. You re just renting a slot machine.

I built LensDJ Pro to be an escape hatch. Precision logic, full WAV exports, and multi-channel stems.

Question for the makers here: When using generative tools, is 'platform lock-in' a dealbreaker for you, or do you prioritize ease of use over ownership?

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