Twister. The Perfect Storm. Blade Runner 2049. Star Wars: Episode 1... Heard of them?

We sat down with the man who provided the magic, VFX Supervisor Habib Zargarpour.

We have just released a case study that explores how artists Gibson/Martelli used AI-powered motion capture as a choreographic tool. Developed during a MODINA.eu residency at Traf House of Contemporary Arts in Budapest, the project combines live movement, digital scenography, and avatar embodiment to explore new forms of presence and performance.

We just hosted a live webinar on the future of previs and AI in filmmaking and it s now available to watch on demand!

Whether you joined us live or missed out, you can now:

• Watch the full recording

• Explore the interactive scene template we demoed

• Experiment and create your own 3D content in minutes all in your browser

It s a must-watch for indie filmmakers, creators, and anyone curious about real-time storytelling with AI mocap.

We built RADiCAL because we hit the same wall so many people do: You open a 3D tool, ready to try something cool and suddenly you're drowning in panels, shortcuts, and tutorials just to move a shape.

It shouldn t take a whole course to make a rough idea come to life.

We re curious:

What was the first 3D tool you tried?

Serious question: Why do most 3D design tools still feel like they were built for Windows XP?

You open them up and immediately feel like you need to go get a degree in viewport navigation.

Everything takes forever. Everything costs a fortune. And God help you if you want to share anything with someone else. Meanwhile the rest of the creative world moved to the browser years ago.