Global Crisis Monitor is a personal, artistic project. It was built in a period of growing conflict — a time when wars that once felt distant became part of everyday conversation, appearing in feeds and notifications alongside everything else.
There is something disorienting about that: a bombing in a city you can name, a ceasefire that collapsed overnight, a famine declared — and then, scrolling past it, an advertisement. The architecture of attention flattens everything into the same urgency and the same forgettability. This project is a refusal of that flattening. It is an attempt to make the weight visible: to collect the signals, hold them together on a single surface, and sit with what the picture looks like.
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